One of 10 titles featuring 33 1/3 mono and stereo remastered editions: Surfin´ USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (And Summer Nights!!), Beach Boys Party!, Pet Sounds and Smiley Smile
Audio production — Mark Linett
For Brother Records — Elliott Lott
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
Lacquer plating by Gary Salstrom and 200-gram vinyl pressing by Quality Record Pressings!
"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds
"The most astonishing change in Today! and Summer Days are the balanced, lush stereo mixes, available on vinyl for the first time in these reissues from Analogue Productions. Pressed by AP´s own Quality Record Pressings, the mixes are nothing short of a brilliant rejuvenation that all fans of this most American of 1960s pop bands will find entirely essential. They aren´t merely different, or even just better — they´re terrific. ... New colors and dimensions in the music abound. Wilson´s grand arrangements are hugely well served by these breakthrough stereo mixes." — Robert Baird, Stereophile, Recordings of the Month, March 2016
"What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition
A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
Today! was released in stereo for the first time in 2012. These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes!
Apart from Surfin´ Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.
The stereo editions of Surfin´ USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group´s supervision.
"Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck´s skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys´ archivist.
All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys´ Party, Pet Sounds and Smiley Smile) were done by Mark Linett on behalf of the Beach Boys.
"Put simply, this is the Beach Boys at their mid-´60s prime. Ironically, the band´s greatest evolutionary leap was spurred by its leader, Brian Wilson, who decided to drop out of the band´s live performances after a December 1964 nervous breakdown to concentrate on honing the Beach Boys´ studio sound. With Wilson´s productions gaining a significant new depth and confidence (note the innovative modulations on ´Dance, Dance, Dance´), the first half of Today seems a logical, upbeat step forward from its predecessors. But it´s the album´s second act that steals the show, setting the stage for the triumph of Pet Sounds. Indeed, it´s easy to imagine gorgeous, introspective tracks such as ´Please Let Me Wonder,´ ´She Knows Me Too Well,´ and ´In the Back of My Mind´ intertwined with the best of Sounds." — Amazon.com