Coleman Hawkins: Coleman Hawkins And His Confreres

Artikkelnr.: AVRJ 6110-45

Analogue Productions (Verve) - Audiophile Recording - Dobbel (2) 200g LP 45 rpm

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Analogue Productions

Mastered by George Marino at Sterling Sound

"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011

COLEMAN HAWKINS AND HIS CONFRERES
Artist Coleman Hawkins 
Tittel Coleman Hawkins And His Confreres 
Sjanger Jazz
Mastret av George Marino at Sterling Sound 
Pressing Plant Quality Record Pressings 
Format Vinyl - 200g / 45 rpm
Antall plater
Lydkvalitet Audiofil
Plateselskap Analogue Productions 
Utgivelsesdato 1958 / 2012
Platenummer AVRJ 6110-45
Spilletid  
Diverse  
Opplag  

Ben Webster had long before passed through the ranks of imitator, then pupil and finally master. His "college attendance," as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. "Hawk" was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players. Two such JATP ensembles are to be found on the Confrères LP. The relaxed atmosphere is particularly noticeable in the title "Sunday" in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in "Nabab!") where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in "Honey Flower."

Originally released in 1958.

Coleman Hawkins, tenor saxophone
Ray Brown, bass
George Duvivier, bass
Roy Eldridge, trumpet
Herb Ellis, guitar
Hank Jones, piano
Oscar Peterson, piano
Mickey Sheen, drums
Alvin Stoller, drums
Ben Webster, tenor saxophone

COLEMAN HAWKINS AND HIS CONFRERES
01       Maria
02 Sunday
03 Hanid
04 Honey Flower
05 Nabob