The ultimate pressings of the Beach Boys discography from Analogue Productions!
Original mono mix produced by Brian Wilson
Stereo mix produced by Mark Linett under the supervision of Brian Wilson / Mixed by Mark Linett. Pet Sounds was mixed from an assembled digital multi-track master that synced the original 4 track master instrumental with the 4 or 8 track vocal overdub master. The stereo mix was mixed to 15 ips 1/4" analog tape with SR noise reduction.
Audio production — Mark Linett
For Brother Records — Elliott Lott
Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds
A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, now presented on Hybrid Stereo/Mono SACD, these are awesome recordings to experience.
For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format. Hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson — famed co-founder, songwriter and arranger — who suffers from partial deafness. The mono mixes were where Wilson paid intense attention, and the dedication paid off!
We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl,” “In My Room,” “Little Deuce Coupe” and more lend themselves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well.
Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It´s considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.
Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn´t have been a classic without great songs, and this has some of the group´s most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn´t It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn´t originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don´t Talk," "I Know There´s an Answer," and "I Just Wasn´t Made for These Times." It´s often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best).
VH-1 named Pet Sounds as the No. 3 album in the Top 100 Albums in Rock ´n´ Roll History, as judged in a poll of musicians, executives and journalists. It´s been ranked No. 1 in several music magazines´ lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone´s 500 Greatest Albums of All Time list.